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MOST RECENT ARTICLES​

Gain Staging

What is gain staging?

What is gain staging? Why is it important in modern recording and mixing? What is V.U. meter and how can they help during these processes? These questions are constantly being asked. There are thousands of comments on the Internet about gain staging. It’s often one of the topics that generate the most confusion, but trust me,

Read More »
SSL emulation

Not Just Another G-Series Clone

In a market where we seemingly get a new (and often great) SSL emulation at least once a year, it takes a lot for me to replace my go to plugins in that ballpark. Satson CS has been an unassuming exception to this rule in my studio though, since it is not a 1:1 SSL

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vari mu compressor

TUCO COMPRESSOR IN A NUTSHELL

The Tuco Compressor is based on vari-mu tube technology with feedback topology. Although it has similar characteristics to the classic Fairchild compressor, it is truly a different beast. With some added features this affordable plugin that is available on Windows and Mac OS, in AAX, AU, VST 2.4, and VST 3 versions, packs a punch.

Read More »
Studio Gear

Using gear limitation at your advantage

Written By William Robertson Intro We are, for most of us, all getting stuck at home. Far away from studios where you canhave all the studio gear you want to express our creativity without limits. We are, for most of us, stuck with our laptop, our favorite instruments maybe (often thefirst one we started with),

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Tuco Compressor Tips

5 Tips On using the Tuco Compressor

BY MATTHEW SIM 1. Once you engage it, it already has the tube character, with a little bit of tube buzz, which is refreshing on certain things. It gives that analog vibe. 2. On transient heavy instruments (e.g. kick, snare, toms, percussion), I love to use the Tuco compressor in mode 1 (slow attack) and

Read More »
FLOATING-POINT

DITHER AND FLOATING-POINT EXPLAINED FOR THE RECORDING ENGINEER (PT-3)

BY: LIC. EZEQUIEL MORFI | TITANIO CONCLUSION DITHERING and its siblings NOISE-SHAPING and AUTO-BLANKING are subjects of profound although often mistaken discussion, both in formal literature as well as in casual forum debates, and constitute subjects and procedures that need to be understood and mastered by the audio engineer, most especially in our current times of

Read More »
7 TIPS TO GET AN ANALOG WORKFLOW IN YOUR DAW

7 Tips to get an Analog Workflow in your DAW

The new technology in audio recording and mixing is amazing. A new parade of plugins, consoles and outboard emulations appeared in the last few years to revolutionize the field and help us. Personally, what I like most from the modern audio recording process is the flexibility that it gives us. The chance to combine different

Read More »
DITHER AND FLOATING-POINT EXPLAINED FOR THE RECORDING ENGINEER (Pt2)

DITHER AND FLOATING-POINT EXPLAINED FOR THE RECORDING ENGINEER (PT-2)

BY: LIC. EZEQUIEL MORFI | TITANIO FLOATING-POINT CALCULATIONS Today’s digital processing is entirely accomplished using FLOATING-POINT mathematical calculations in a single-precision format consisting of 32 bits (informally called “floats”), a double-precision format of 64 bits (“double- floats”) or even in some cases the extended-precision format of 80 bits (“long- floats”). Unlike the fixed-point format, floating-point

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WARM VOCAL

3 TIPS FOR A THICK & WARM VOCAL TONE With Burnley 73

By Matthew Sim In recent decades, while everyone is chasing for the bright yet smooth pop vocal tone that competes on the radio, we tend to overlook the other side of the spectrum. Warm vocals are still sought after in soul/r&b, folk, ballads, country, and sometimes pop music also! Especially in Asia, where I worked

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SONIMUS NEWS

KlangFormer!

Teamed with Sonimus, WeissKlang Mikrofone brings you a special version of a software plug-in, which matched with the frequency response

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Sonimus

News from Sonimus

In an effort to improve the quality of our help desk service and enhance our incident management platform, we are

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SONIMUS REVIEWS

Sonimus is the result of passion for making it easy to achieve the best sound quality.

What is gain staging? Why is it important in modern recording and mixing? What is V.U. meter and how can they help during these processes? These questions are constantly being asked. There are thousands of comments on the Internet about gain staging. It’s often one of the topics that generate the most confusion, but trust me, …

What is gain staging? Read More »

In a market where we seemingly get a new (and often great) SSL emulation at least once a year, it takes a lot for me to replace my go to plugins in that ballpark. Satson CS has been an unassuming exception to this rule in my studio though, since it is not a 1:1 SSL …

Not Just Another G-Series Clone Read More »

The Tuco Compressor is based on vari-mu tube technology with feedback topology. Although it has similar characteristics to the classic Fairchild compressor, it is truly a different beast. With some added features this affordable plugin that is available on Windows and Mac OS, in AAX, AU, VST 2.4, and VST 3 versions, packs a punch. …

TUCO COMPRESSOR IN A NUTSHELL Read More »

Written By William Robertson Intro We are, for most of us, all getting stuck at home. Far away from studios where you canhave all the studio gear you want to express our creativity without limits. We are, for most of us, stuck with our laptop, our favorite instruments maybe (often thefirst one we started with), …

Using gear limitation at your advantage Read More »

BY MATTHEW SIM 1. Once you engage it, it already has the tube character, with a little bit of tube buzz, which is refreshing on certain things. It gives that analog vibe. 2. On transient heavy instruments (e.g. kick, snare, toms, percussion), I love to use the Tuco compressor in mode 1 (slow attack) and …

5 Tips On using the Tuco Compressor Read More »

BY: LIC. EZEQUIEL MORFI | TITANIO CONCLUSION DITHERING and its siblings NOISE-SHAPING and AUTO-BLANKING are subjects of profound although often mistaken discussion, both in formal literature as well as in casual forum debates, and constitute subjects and procedures that need to be understood and mastered by the audio engineer, most especially in our current times of …

DITHER AND FLOATING-POINT EXPLAINED FOR THE RECORDING ENGINEER (PT-3) Read More »

The new technology in audio recording and mixing is amazing. A new parade of plugins, consoles and outboard emulations appeared in the last few years to revolutionize the field and help us. Personally, what I like most from the modern audio recording process is the flexibility that it gives us. The chance to combine different …

7 Tips to get an Analog Workflow in your DAW Read More »

BY: LIC. EZEQUIEL MORFI | TITANIO FLOATING-POINT CALCULATIONS Today’s digital processing is entirely accomplished using FLOATING-POINT mathematical calculations in a single-precision format consisting of 32 bits (informally called “floats”), a double-precision format of 64 bits (“double- floats”) or even in some cases the extended-precision format of 80 bits (“long- floats”). Unlike the fixed-point format, floating-point …

DITHER AND FLOATING-POINT EXPLAINED FOR THE RECORDING ENGINEER (PT-2) Read More »

By Matthew Sim In recent decades, while everyone is chasing for the bright yet smooth pop vocal tone that competes on the radio, we tend to overlook the other side of the spectrum. Warm vocals are still sought after in soul/r&b, folk, ballads, country, and sometimes pop music also! Especially in Asia, where I worked …

3 TIPS FOR A THICK & WARM VOCAL TONE With Burnley 73 Read More »

By Taylor Chambers Preparation – The things often forgotten. Preparation is key! Before jumping into the vocal mixing processes, you can assist in making this process easier for yourself (and everybody involved), if you take the following factors into consideration as it will ensure optimum results. You won’t only get quicker results, but better-quality results. …

Vocal Mixing Techniques Read More »

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