“I used Satson in my mix and production for John Legend’s “A Place Called World”. I love the sound and the features.”

Antonio Escobar, Audio Engineer & Music Producer

“Really digging the analog distortion and coloring that all Sonimus plugins are offering. That “Fat” button in the console emulation bundle is magical. It makes everything sound better immediately by adding that analog warmth.”

Matthew Sim, Mixing Engineer

“The reason I love Sonimus plug-ins is because they carry so many features and possibilities sound-wise in a yet simple and straightforward user interface, much like most analog gear.”

Ezequiel Morfi, Audio Engineer

“In a world with a million different plugins it’s hard to stand out, but Sonimus has done just that. Their plugins are easy to use and sound great! I have really enjoyed using the Satson Channel Strip to help dial in my mixes quickly. Plus I always love a great SSL channel strip!”

Matt Greco, Audio Engineer & Music Producer

“Best of both worlds… Analogue response plus digital technology’s versatility.”

Dan Zlotnik , Composer

“I use Satson on pretty much every stem mastering project that passes through our mastering studio. I like adding it to groups before running the stereo output through our analogue mastering chain.”

Mark Shrimpton, Kingsview Sound Mastering

“One of the plugins I use in almost any of my mastering sessions is the SonEQ Pro by Sonimus. It’s a $59 dollar plugin and a great addition to my $13.000,- SPL equalizer. But if I had to choose between only one of them…”

Sander van der Heide, Mastering Engineer

“I’ve been using Sonimus products for a few months now and these emulations have become an essential part of my go to mix template. The SonEQ, Satson CS and Tuco Comp deliver the vibe I’m used to find in some of my favorite analog tools. These are well coded, CPU friendly, super intuitive and will absolutely add real sonic value to your projects.”

Luke Pimentel, Mastering Engineer