When I choose a processor: Do I want this machine to do its duty in an "invisible" way or do I want this machine to "put a nice recognizable signature" to the final sound?

In this article we will try to explain how to get an spacious mix, extra deep and with tridimensional sense.

In this article, we will talk about the masking principle and some tips to avoid this problem that make your mixes sound like a war of sounds fighting each others.