This plugin is amazing, the famous 610! Like Britson, other I use, it is a real enhancement to your workflow, I set it at the beggining on every track/bus and never look back, and the sound is objectively better. I am going to use it on class with my students trying to “recreate” (high school level) the old way to mix, using a computer and trying to make them realize how music has always been made, using classic gear (pultecs, La2A…) in plugin format and visualizing pictures of old studios so they have the chance to experiment. Recently I showed them a 610 desk in pictures, with beach boys and other famous 60s bands around, so having a 610 available in a plugin will be amazing, we will be able to test and bypass 610 for realizing how the sound changes. Sonimus did an excellent work, thanks! A tape from you would be the best.
I really enjoy using Sonimus plugins. They sound great, are easy to use, and add a warm, musical character to my mixes. The Vintage Console Bundle is especially impressive and delivers excellent results. Highly recommended.
An integral part of my sound and workflow – I can’t mix without it. Adds an incredible depth to my mixes with all the fat switches engaged and the bus group faders pushed as trim as drive to push the saturation. Unparalleled in the box magic.
You don’t usually expect—let alone actually get—this level of sonic improvement at this price. It’s an easy recommendation to make; for anyone who cares about great sound at a fantastic price.
Hello from Ukraine! I have licenses from various manufacturers that emulate the Neve console. But in recent years, the first plugin I reach for is N-console. What it does is some kind of magic! And this is not paid advertising)). Wonderful sound that makes amazing small changes, enlivening almost any signal. Filters that can quickly and efficiently cut off unnecessary things. Saturation is wonderful (sometimes I forget about saturation plugins and use this)). Thank you Sonimus for a wonderful tool that improves my music and gives a fast and cool-sounding result.
From what I’ve had a chance to try (Plugin Alliance with their Tolerance Modeling Technology, Waves NLS – Non-Linear Summing), these consoles felt the closest to real analog summing. Sonimus has done an incredible job.
Really pleased with N-Console, so much that I will be getting the A-Console as well. For a while I used Luna2 and loved the NEV/API summing and wanted it in Cubase. I had the Slate VCC for a while but it never really did it but the N-Console did! Really glues everything together, look forward to using it on my future projects.
Outstanding plugin! It was frustrating at first as it suggested I change my mixing method. Then I came to see its genius over a few days. Using it as recommended gets your tracks hot and saturated before hitting the next plugin.
I’ve been using sonimus products ever since Satson came out. In both the mastering room and production studio. I have most of their plugins. I decided to treat myself to the T+A console duo as I didn’t have these, and I have been as impressed as I usually am. I have a lot of high end tube gear in the mastering room, and am familiar with the characteristics of a quality tube sound. I was surprised at how real the T console sounds.
A lot of tube emulation plugins seem to cater to what people think tube gear should sound like, rather than what it actually sounds like, which is (when talking good quality) subtle. The T console does this, subtle smoothing out of transients, pleasing harmonics. Of course you can push it for grit. But run without too much drive and this is a great subtle tube sound for a mix or stem master giving sounds a polish and cohesion before you even start applying effects etc. Lovely smooth filters as always with sonimus. I’ve not even tried the A console yet, being immediately obsessed with the T. I’ve completed a few mixes with the T console on every channel and bus and it’s really nice. A good substitute to a tube summing box. The mixes have a lively effervescence, a “fizz” that I really like. Really good when you want a “hot” mix. Sonimus have yet to disappoint me.
This plugin is amazing, the famous 610! Like Britson, other I use, it is a real enhancement to your workflow, I set it at the beggining on every track/bus and never look back, and the sound is objectively better. I am going to use it on class with my students trying to “recreate” (high school level) the old way to mix, using a computer and trying to make them realize how music has always been made, using classic gear (pultecs, La2A…) in plugin format and visualizing pictures of old studios so they have the chance to experiment. Recently I showed them a 610 desk in pictures, with beach boys and other famous 60s bands around, so having a 610 available in a plugin will be amazing, we will be able to test and bypass 610 for realizing how the sound changes. Sonimus did an excellent work, thanks! A tape from you would be the best.
Very good
I really enjoy using Sonimus plugins. They sound great, are easy to use, and add a warm, musical character to my mixes. The Vintage Console Bundle is especially impressive and delivers excellent results. Highly recommended.
It’s awesome.
An integral part of my sound and workflow – I can’t mix without it. Adds an incredible depth to my mixes with all the fat switches engaged and the bus group faders pushed as trim as drive to push the saturation. Unparalleled in the box magic.
Smooth, clear, Neve-eee!
Without a doubt, the best Neve 1073 emulation plugin. The preamp stage sounds amazing!
You don’t usually expect—let alone actually get—this level of sonic improvement at this price. It’s an easy recommendation to make; for anyone who cares about great sound at a fantastic price.
Hello from Ukraine! I have licenses from various manufacturers that emulate the Neve console. But in recent years, the first plugin I reach for is N-console. What it does is some kind of magic! And this is not paid advertising)). Wonderful sound that makes amazing small changes, enlivening almost any signal. Filters that can quickly and efficiently cut off unnecessary things. Saturation is wonderful (sometimes I forget about saturation plugins and use this)). Thank you Sonimus for a wonderful tool that improves my music and gives a fast and cool-sounding result.
An immediate improvement to my raw tracks and therefore my mixes! I bought the A-Console after using the N-Console. I love both!
This is my favorite.
From what I’ve had a chance to try (Plugin Alliance with their Tolerance Modeling Technology, Waves NLS – Non-Linear Summing), these consoles felt the closest to real analog summing. Sonimus has done an incredible job.
Great value and delivered some surprising space in the mix. Now part of my default plug-in chain.
Excellent plugin. Sounds phenomenal.
Really pleased with N-Console, so much that I will be getting the A-Console as well. For a while I used Luna2 and loved the NEV/API summing and wanted it in Cubase. I had the Slate VCC for a while but it never really did it but the N-Console did! Really glues everything together, look forward to using it on my future projects.
Love this burnley73
Outstanding plugin! It was frustrating at first as it suggested I change my mixing method. Then I came to see its genius over a few days. Using it as recommended gets your tracks hot and saturated before hitting the next plugin.
Good sound!
love the character, love the workflow but i would love even more if there were a variety of channels to choose from
I’ve been using sonimus products ever since Satson came out. In both the mastering room and production studio. I have most of their plugins. I decided to treat myself to the T+A console duo as I didn’t have these, and I have been as impressed as I usually am. I have a lot of high end tube gear in the mastering room, and am familiar with the characteristics of a quality tube sound. I was surprised at how real the T console sounds.
A lot of tube emulation plugins seem to cater to what people think tube gear should sound like, rather than what it actually sounds like, which is (when talking good quality) subtle. The T console does this, subtle smoothing out of transients, pleasing harmonics. Of course you can push it for grit. But run without too much drive and this is a great subtle tube sound for a mix or stem master giving sounds a polish and cohesion before you even start applying effects etc. Lovely smooth filters as always with sonimus. I’ve not even tried the A console yet, being immediately obsessed with the T. I’ve completed a few mixes with the T console on every channel and bus and it’s really nice. A good substitute to a tube summing box. The mixes have a lively effervescence, a “fizz” that I really like. Really good when you want a “hot” mix. Sonimus have yet to disappoint me.