BY: LIC. EZEQUIEL MORFI | TITANIO CONCLUSION DITHERING and its siblings NOISE-SHAPING and AUTO-BLANKING are subjects of profound although often mistaken discussion, both in formal literature as well as in casual forum debates, and constitute subjects and procedures that need to be understood and mastered by the audio engineer, most especially in our current times of …
DITHER AND FLOATING-POINT EXPLAINED FOR THE RECORDING ENGINEER (PT-3) Read More »
BY: LIC. EZEQUIEL MORFI | TITANIO FLOATING-POINT CALCULATIONS Today’s digital processing is entirely accomplished using FLOATING-POINT mathematical calculations in a single-precision format consisting of 32 bits (informally called “floats”), a double-precision format of 64 bits (“double- floats”) or even in some cases the extended-precision format of 80 bits (“long- floats”). Unlike the fixed-point format, floating-point …
DITHER AND FLOATING-POINT EXPLAINED FOR THE RECORDING ENGINEER (PT-2) Read More »
By: LIC. EZEQUIEL MORFI | TITANIO General CONCEPTS Much has been said about DITHERING and the purposes of its implementation. While some of the statements are indeed true, often times the analogies or other means of illustration for what really goes on behind the scenes end up forming the actual definition and conception that engineers …
DITHER AND FLOATING-POINT explained FOR THE RECORDING ENGINEER (Pt-1) Read More »
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