Sonimus Satson CS Plugin Overview
Using the Sonimus Satson CS as a vocal processor I regularly find myself working in mixes where the number of plugins used across the different tracks is maximizing my computer’s DSP. That [...]
5 steps for mixing with Britson
Emulating the sound of an analog console is a very complicated process. It takes a lot of work to turn every behavior of the electronic components and their tolerance/variations over [...]
SonEQ Pro: Upgraded Boost + Cut Trick
Over time I am going to be detailing some of my favorite applications/settings on a wide variety of Sonimus plugins. I figure what better way to start than the plugin [...]
Mixing in Times of COVID
How technology allows us to produce records from home Lockdown showed us that nothing can stop creativity. Many artists used this adversity as fuel for inspiration to make some great [...]
And Yet Another Article About Compression?
Compression seems like an obsession in the audio world. How many times have you heard “for the vocal I used a bit of corrective equalization, and some compression to taste”, [...]
A Guide to Mastering Your Own Mix
A GUIDE TO MASTERING YOUR OWN MIX If you mix music, you’ve undoubtedly heard of mastering. It is a critical stage in the music-making process; one that should never be [...]
What is gain staging?
What is gain staging? Why is it important in modern recording and mixing? What is V.U. meter and how can they help during these processes? These questions are constantly being [...]
Not Just Another G-Series Clone
In a market where we seemingly get a new (and often great) SSL emulation at least once a year, it takes a lot for me to replace my go to [...]
TUCO COMPRESSOR IN A NUTSHELL
The Tuco Compressor is based on vari-mu tube technology with feedback topology. Although it has similar characteristics to the classic Fairchild compressor, it is truly a different beast. With some [...]
Using gear limitation at your advantage
Written By William Robertson Intro We are, for most of us, all getting stuck at home. Far away from studios where you canhave all the studio gear you want to [...]
DITHER AND FLOATING-POINT EXPLAINED FOR THE RECORDING ENGINEER (PT-3)
BY: LIC. EZEQUIEL MORFI | TITANIO CONCLUSION DITHERING and its siblings NOISE-SHAPING and AUTO-BLANKING are subjects of profound although often mistaken discussion, both in formal literature as well as in casual [...]
DITHER AND FLOATING-POINT EXPLAINED FOR THE RECORDING ENGINEER (PT-2)
BY: LIC. EZEQUIEL MORFI | TITANIO FLOATING-POINT CALCULATIONS Today’s digital processing is entirely accomplished using FLOATING-POINT mathematical calculations in a single-precision format consisting of 32 bits (informally called “floats”), a [...]
