SonEQ 2 Walkthrough pt. 2
Watch the SonEQ 2 Walkthrough part-2, created by Mike Piacentini https://youtu.be/d6qi6XSTYu8
Watch the SonEQ 2 Walkthrough part-2, created by Mike Piacentini https://youtu.be/d6qi6XSTYu8
By Frightbox Recording What's the best approach to EQ for mix clarity? Have you ever felt that your mix was sounding almost there in the studio... But ends up sounding [...]
By Frightbox Recording There are a million ways that you can glue your drums together... Things like: Ambient room mics saturation, tasteful use of reverb, simple drum bus compression... These [...]
By Frightbox Recording Fact: Vocal EQ does NOT have to be rocket science. People seem to really struggle with dialing in a great vocal mix and I’ve found that it’s [...]
Written By Dusan Zisic INTRO We are all aware of how much the audio production process was affected by the adoption of powerful computers and audio interfaces, together with an [...]
The story behind Burnley 73 If you google the word Burnley, the first two results you might get are Burnley Football Club and the Wikipedia page about Burnley, a town [...]
Using the Sonimus Satson CS as a vocal processor I regularly find myself working in mixes where the number of plugins used across the different tracks is maximizing my computer’s DSP. That [...]
Emulating the sound of an analog console is a very complicated process. It takes a lot of work to turn every behavior of the electronic components and their tolerance/variations over [...]
In a market where we seemingly get a new (and often great) SSL emulation at least once a year, it takes a lot for me to replace my go to [...]
The Tuco Compressor is based on vari-mu tube technology with feedback topology. Although it has similar characteristics to the classic Fairchild compressor, it is truly a different beast. With some [...]
INTRO First of all, let me start by letting you know this review wasn’t an easy one. Not because the EQ plugin didn’t live up to it but totally the [...]
"...The compressor module is a 'colorful' one, adding harmonics as the gain reduction is increased...The four EQ bands have ±15dB gain with variable-Q bell curves, and the low and high [...]