In music production, the tools we use shape the sound we create. For Leandro Sabino, a talented sound engineer, musician, and producer associated with TITANIO STUDIOS in Argentina and Mexico, Sonimus plugins are more than just tools—they are an essential part of his creative process.

Following up on our interview with Ezequiel Morfi, we sat down with Leandro to learn more about his career and his work with Sonimus plugins as a beta tester and user.

Early Career

Leandro’s journey into audio engineering was anything but conventional. He began his studies in aeronautical engineering, but his passion for music was always present.

“I started playing the guitar and piano as a child, inspired by my father, who was a pianist. Music was always in the background of my life,”.

This blend of technical and artistic interests paved the way for his eventual shift into sound engineering and music production.

Over the years, he has developed a deep understanding of sound production’s technical and artistic aspects, making him an invaluable asset in any studio session. Today, he is a respected engineer and a beta tester for Sonimus, providing crucial feedback that helps refine and perfect their software.

TITANIO STUDIOS

At TITANIO STUDIOS, Leandro is pivotal in managing the beta testing team, overseeing quality control for audio software, and ensuring that all tools meet professional standards. TITANIO STUDIOS, known for its high-quality recording, mixing and mastering services, has a strong presence in Latin America and Europe and combines diverse artists and engineers. Leandro’s contributions, both in testing software and providing technical expertise, have been instrumental in shaping the studio’s reputation for excellence.

The Connection Between Leandro and Sonimus

Leandro’s relationship with Sonimus began long before he became an official collaborator. He discovered Satson in an online forum, which generated significant excitement among audio professionals. His enthusiasm for the brand only grew over the years, and eventually, his work at TITANIO STUDIOS led to a closer collaboration with Sonimus.

As a beta tester, Leandro plays a key role in ensuring that each plugin meets the highest quality standards. His experience in both mixing and mastering allows him to identify nuances that might go unnoticed by less experienced users.

“The best tools are the ones that feel like an extension of your workflow. With Sonimus, I don’t have to second-guess. They sound great right out of the box.”

Favourite and Essential Plugins

When asked about his favourite and most essential Sonimus plugins, Leandro quickly highlighted two that have become staples in his workflow.

He relies on the Console Series for warmth and cohesion mixes (A-Console, N-Console, S-Console). These console emulations bring an analogue-like feel to digital recordings, adding subtle harmonic distortion and crosstalk that make mixes more organic.

“They’re lifesavers when working with digital recordings that feel too clean or sterile.”
“The Console series gives each element a shared ‘space’ in the mix, just like in an analogue studio.”

But if there is a favourite Sonimus Plugin for Leandro, that is Burnley 73. “I use it almost exclusively for additive EQ,” Leandro says. “It has this incredible way of bringing out details in a mix without sounding harsh or artificial. It’s like sculpting a sound rather than forcing it into place.”

Honesty and Music-Driven Approach

According to Leandro, Sonimus’s dedication to honesty and usability sets It apart from other plugin companies. In a market flooded with software that promises ‘instant pro sound,’ Sonimus takes a different approach.

“Sonimus is one of those rare companies that consistently delivers quality without gimmicks.”

This philosophy aligns perfectly with Leandro’s approach to mixing. He believes that technology should serve the music and not the other way around. “It’s easy to get caught up in trends, but at the end of the day, what matters is how a mix makes you feel. Sonimus plugins help me get to that point faster, without distractions.”

Leandro also recalled the satisfaction he felt when the latest update arrived. “I remember thinking, ‘This is the same TuCo I love but with more flexibility and even better stability.’ It was a perfect example of how software should evolve—refinements without unnecessary changes to the core sound.”

Advice for Future Engineers

Leandro offered simple advice: focus on tools that enhance your workflow rather than complicate it.

Also, he believes that a good mix is not merely about technical adjustments but about understanding the essence of the music.

“A great mix can elevate a song, but it starts with good music and recording quality. If the foundation is weak, no amount of mixing will save it,”

This principle serves as a reminder to all aspiring producers: focus on developing your craft. Invest time in learning about different instruments and recording techniques. Leandro encouraged newcomers to work in professional studios to gain exposure to high-quality production environments, reinforcing that hands-on experience is invaluable.

So, whether you’re a young producer eager to learn or a seasoned engineer looking to refine your craft, take a page from Leandro’s book: embrace collaboration, explore high-quality plugins, and, most importantly, keep the love for music at the forefront of your journey.

You can watch the full interview in this link.